• About
    • Andre Lhote
    • George Grosz
    • Louis Valtat
    • Jean-Pierre Cassigneul
    • Adolfo Doring
    • Silas Shabelewska
    • Ana De Orbegoso
    • Andre Villers
    • Man Ray
    • Andre von Morisse
    • Man Ray
    • Petra Lovrekovic
    • Julian Martin
    • Jean-Pierre Cassigneul
    • Brother Thomas
    • Michael Dickey
    • Peter Hays
    • Hideaki Miyamura
    • John Ward
    • Tatsuzo Shimaoka
    • Andre Masson
    • Yves Brayer
    • Projects
    • New Gallery
  • Shop Art
  • Contact
Menu

ArtFactor

575 FIFTH AVE 16TH FLOOR
NEW YORK NY 10017
917.704.8767

Your Custom Text Here

ArtFactor

  • About
  • 20th Century
    • Andre Lhote
    • George Grosz
    • Louis Valtat
    • Jean-Pierre Cassigneul
  • Photography
    • Adolfo Doring
    • Silas Shabelewska
    • Ana De Orbegoso
    • Andre Villers
    • Man Ray
    • Andre von Morisse
  • Modern/Contemporary
    • Man Ray
    • Petra Lovrekovic
    • Julian Martin
    • Jean-Pierre Cassigneul
    • Brother Thomas
    • Michael Dickey
    • Peter Hays
    • Hideaki Miyamura
    • John Ward
    • Tatsuzo Shimaoka
    • Andre Masson
    • Yves Brayer
  • INTERIOR DESIGN
    • Projects
    • New Gallery
  • Shop Art
  • Contact
 Jean-Pierre Cassigneul,  Femme L'Echarpe , 1962, oil on canvas, 31 x 23.6 inches 

Jean-Pierre Cassigneul

Born in Paris in 1935, he studied and graduated from the “Ecole Nationale Superieure” des Beaux-Arts, having held his first one-man show at the age of 17.

From 1956 until 1960 Cassigneul was instructed by Chapelain-Midy. During this period, he held exhibitions in Paris and other cities. He had a contract with the Gallery Bellechasse in Paris for several years after his first exhibition there in 1965.

Since then, his work has been exhibited extensively throughout Europe, Japan and the United States, including shows at the Gallery  Tivey Faucon in Paris, Gallery Tamenaga in Japan and Wally Findlay Gallery in New York. Cassigneul has also illustrated several books, including “Le Tour de Malheur” by Joseph Kessel.

Jean-Pierre Cassigneul creates beautiful compositions of striking young women very much in the tradition of the early 20th century French Nabis artists, like Bonnard and Vuillard.

A great influence very much apparent in his work is that of the expressionist painter Kees van Dongen, especially Cassigneul’s very dramatic portraits and his use of intense vibrant color.

Left:  Jean-Pierre Cassigneul, Femme L'Echarpe, 1962, oil on canvas, 31 x 23.6 inches 

Jean-Pierre Cassigneul

Born in Paris in 1935, he studied and graduated from the “Ecole Nationale Superieure” des Beaux-Arts, having held his first one-man show at the age of 17.

From 1956 until 1960 Cassigneul was instructed by Chapelain-Midy. During this period, he held exhibitions in Paris and other cities. He had a contract with the Gallery Bellechasse in Paris for several years after his first exhibition there in 1965.

Since then, his work has been exhibited extensively throughout Europe, Japan and the United States, including shows at the Gallery  Tivey Faucon in Paris, Gallery Tamenaga in Japan and Wally Findlay Gallery in New York. Cassigneul has also illustrated several books, including “Le Tour de Malheur” by Joseph Kessel.

Jean-Pierre Cassigneul creates beautiful compositions of striking young women very much in the tradition of the early 20th century French Nabis artists, like Bonnard and Vuillard.

A great influence very much apparent in his work is that of the expressionist painter Kees van Dongen, especially Cassigneul’s very dramatic portraits and his use of intense vibrant color.

Left:  Jean-Pierre Cassigneul, Femme L'Echarpe, 1962, oil on canvas, 31 x 23.6 inches 

 Jean-Pierre Cassigneul,  Femme L'Echarpe , 1962, oil on canvas, 31 x 23.6 inches 

Jean-Pierre Cassigneul, Femme L'Echarpe, 1962, oil on canvas, 31 x 23.6 inches 

Powered by Squarespace